Audio and Video codec summary
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(All the content is digested from wikipedia)
AAC: Advanced Audio Codec
Ø AAC is developed with the cooperation and contribution of companies including Fraunhofer IIS, AT&T Bell Lab, Dolby, Sony and Nokia, and is officially declared by Motion Picture Expert Group in 1997.
Ø AAC is specified both as Part 7 of MPEG-2 standard and Part 3 of MPEG-4 standard. It is designed to be the successor of MP3.
Ø Support: 8kHz – 96kHz, 48 Channels.
Ø No licenses or payments are required to be able to stream or distribute content in AAC format; however, a patent license is required for all manufacturers or developers of AAC codecs.
Ø Supported Portable Players: Apple iPod, Microsoft Zune, SanDisk Sansa, Sony PlayStation Portable, Nintendo DSi…
Ø Supported Mobile Phones: Nokia, Motorola, Samsung, Sony Ericsson, BenQ-Siemens, Philips.
Ø Almost all the current computer media players include AAC decoder.
AC-3/Dolby Digital
Ø Dolby Digital (AC-3) is the marketing name for a series of lossy audio compression technologies developed by Dolby Lab.
Ø Dolby Digital includes similar technologies, which include Dolby Digital, Dolby Digital EX, Dolby Digital Live, Dolby Digital Surround EX, Dolby Digital Plus, Dolby Digital TrueHD.
Ø Dolby Digital codec has some aliases: DD, Dolby Surround AC-3 Digital, Dolby Stereo Digital, Dolby SR-Digital, SR-D, Audio Coding 3, AC-3, Audio Codec 3, Advanced Codec 3, ATSC A/52.
ADPCM
Ø It is a variant of DPCM (differential pulse-code modulation) that varies the size of the quantization step, to allow further reduction of the required brandwidth for a given signal-to-noise ratio.
It is developed in the early 1970s at Bell Labs.
AMR: Adaptive multi-rate compression
Ø It is a patented audio data compression scheme optimized for speech coding.
Ø It is adopted as the standard speech codec by 3GPP.
Ø Support: 12.2, 10.2, 7.95, 7.40, 6.70, 5.90, 5.15 and 4.75 kbps.
AMR-WB: Adaptive Multi Rate-WideBand:
Ø It is a patented speech coding standard developed after the AMR suing similar technology.
AMR-WB+: Extended Adaptive Multi Rate-WideBand
Ø It is an audio codec that extends AMR-WB.
Ø It adds support for stereo signals and higher sampling rates.
Cinepak
Ø It is a video codec designed to encode 320x240 resolution at 1x CD-ROM transfer rates.
Ø It was the primary video codec of early version of QuickTime and Microsoft Video for Windows, but later superseded by Sorenson Video, Intel Video and most MPEG-4.
DivX
Ø DivX codec uses lossy MPEG-4 compression.
Ø Version:3.xx->4.0->5.0->6.0->7.0...
DTS
Ø DTS: Digital Theater System is a multichannel digital surround sound format.
Ø Variants: DTS 70 mm, DTS-ES, DTS Neo:6, DTS 96/24, DTS-HD, DTS Connect…
ffdshow
Ø ffdshow is a media decoder and encoder supporting MPEG-4, AVC and numerous other video and audio formats as well.
Ø It is free software released under the GPL license, running on Windows.
FFV1
Ø It stands for “FF video codec 1”.
Ø It is a lossless intra-frame. video format.
Grayscale
Ø Grayscale (or grayscale) digital image is an image in which the value of each pixel is a single sample.
Ø Grayscale images are with only two colors, black and white.
H.263
Ø It is developed by ITU-T Video Coding Experts Group (VCEG) based on experience from H.261.
It is designed as a low-bitrate compressed format for videoconferencing.
H.264/MPEG-4 AVC
Ø H.264/MPEG-4 AVC is a standard for video compression which is developed by the ITU-T Video Coding Experts Group (VCEG) together with MPEG.
Ø H.264 standard is a “family of standards” which includes below profiles:
Constrained Baseline Profile (CBP)
Baseline Profile (BP)
Main Profile (MP)
Extended Profile (XP)
High Profile (HiP)
High 10 Profile (Hi10P)
High 4:2:2 Profile (Hi422P)
High 4:4:4 Predictive Profile (Hi444PP)
High 10 Intra Profile
High 4:2:2 Intra Profile
High 4:4:4 Intra Profile
CAVLC 4:4:4 Intra Profile
Scalable Baseline Profile
Scalable High Profile
Scalable High Intra Profile
HE-AAC: High-Efficiency Advanced Audio Coding.
Ø It is a lossy data compression scheme for digital audio.
Ø It is an extension of Low Complexity AAC (AAC-LC).
Ø HE-AAC v1, HE-AAC v2.
Huffman
Ø Huffman coding is an entropy encoding algorithm used for lossless data compression.
Indeo
Ø Indeo Video is a video codec developed by Intel then sold to Ligos Corporation in 2000.
Ø Versions: Indeo 2 and 3 have decoders in FFmpeg
Indeo 4 and 5 are not supported by any open source decoders
Indeo 5 decoders exist for Windows, Mac…
Indeo 5.11 is a used on all versions of Windows except Vista and Win7
Indeo 5.2 is created for Vista.
LPCM: Liner pulse code modulation
Ø It is a particular method of pulse code modulation.
Ø PCM and LPCM are referred to the format used in WAV files.
Ø LPCM data also may be commonly stored in other formats such as AIFF.
Motion JPEG
Ø It is an informal name for a class of video formats where each video frame. or interlaced field of a digital video sequence is separately compressed as a JPEG image.
Ø It is now used by many portable devices with video-capture capability.
MPEG-1 Audio
Ø Lossy data compression.
Ø It is based on the existing MUSICAM and ASPEC audio formats.
Ø It including the three audio “layers” now known as MP1, MP2, MP3, is finalized by December 1991.
MPEG-1 Audio Layer I: mp1
Ø Support: 32kHz, 44.1kHz, 48kHz, 32kbps, 64kbps, 96kbps, 128kbps, 160kbps, 192kbps, 224kbps, 256kbps, 288kbps, 320kbps, 352kbps, 384kbps, 416kbps, 448kbps
MPEG-1 Audio Layer II: mp2
Ø MP2 is a dominant standard for audio broadcasting.
Ø Support: 8, 16, 24, 32, 40, 48, 56, 64, 80, 96, 112, 128, 144, 160, 192, 224, 256, 320, 384kbps; 16, 22.05, 24, 32, 44.1, 48kHz
Ø Support up to 5 full range audio channels and LFE-channel
Ø Support mono, stereo, joint stereo, dual channel (uncorrelated) formats.
MPEG-1 Audio Layer III: mp3
Ø It is a patented digital audio encoding format for consumer audio storage and for the transfer and playback of music on digital audio players.
Ø Support: 32, 40, 48, 56, 64, 80, 96, 112, 128, 144, 160, 192, 224, 256 and 320 kbps; 32, 44.1 and 48 kHz
Ø The proprietary (unofficial) MPEG-2.5 supports additional 8, 11.025 and 12 kHz.
Ø MP3 LAME encoder supports bit rate up to 640kbps.
MPEG-2
Ø It is a standard which describes a combination of lossy video compression and lossy audio data compression methods that permit storage and transmission of movies using currently available storage media and transmission bandwidth.
Ø MPEG-2 audio multichannel encoding with up to 5.1 channels.
MPEG-4
Ø It is a patented collection of methods defining compression of audio and video digital data.
Ø Key parts of MPEG-4 are MPEG-4 Part 2 and MPEG-4 Part 10 (AVC/H.264).
PCM: Pulse-code modulation
Ø a digital representation of an analog signal where the magnitude of the signal is sampled regularly at uniform. intervals, then quantized to a series of symbols in a numeric (usually binary) code.
Ø Compression techniques: DPCM, ADPCM, Delta modulation
RealVideo
Ø RealVideo is a proprietary video format developed by RealNetworks.
Ø It is supported on Windows, Mac, Linux, Solaris, and several mobile phones.
RGB
Ø The RGB color model is an additive color model in which red, green and blue light are added together in various ways to reproduce a broad array of colors.
Ø Typical RGB input devices are color TV and video cameras, image canners and digital cameras.
Ø Typical RGB output devices are TV sets of various technologies (CRT, LCD, plasma. Etc), computer and mobile phone displays, video projectors, etc.
Sorenson
Ø Sorenson codec is a proprietary digital video codec devised by Sorenson Media Inc.
Ø It is used in Apple’s QuickTime and Adobe Flash.
Ø There are two different proprietary codecs known as: Sorenson video” and “Sorenson Spark” (Sorenson H.263).
Theora/VP3
Ø It is a vbr video compression scheme.
Ø It is the successor of On2 VP3.
Ø VP3 was originally a proprietary and patented video codec developed by On2 Technologies. On2 then donated VP3 to the Xiph.org Foundation which is the developer of Theora.
VC-1
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